165 Salisbury Road
Camperdown Sydney 2050
(02) 8095 9678
11am-5pm Wednesday-Sunday During Exhibitions
Hamish Campbell is a Sydney photographer currently based out of Tokyo, Japan.
Equally at home in the bustling city or in rural Japan's rice fields and mountains, shooting amongst the frogs, wild boars and monkeys, Campbell takes a careful, considered approach to shooting and enjoys the technical process as much as the creative.
He specialises in the production of ultra high resolution landscape images using panoramic stitching, a process which results in fine art prints as large as five metres.
Japan has many unusual legacies pre/post war and post industrial - these often isolated/un-inhabitable or just abandoned places are the subject of Hamish Campbell's Photography shown at Artsite Gallery.
I frequently hear that cameras “don’t do the place justice”. A place is not a space. It’s very easy to take a photo of a place. Capturing a space means capturing not simply what it looked like, but possibly what it sounded, smelt, and most importantly, felt like.
When I first enter a new and interesting space that I want to photograph, the first step is to explore it fully. It’s important not to touch the camera for a while, or you start thinking about the technicals of just pressing that button, and capturing the place. You cannot capture a space unless you carefully observe the elements that make it more than a place...
The elements which give you a sense of space are not necessarily contemporaneous. They are additive, like light. If you sit on a bench at a beach and observe a seagull fly by, then a ship pass in the distance, then a child falling over, all these elements combine to create a memory of the space in your mind, even if the individual events did not occur simultaneously...
What I aim to show in my photos is the true atmosphere of the space, the total sum of the parts of my memory, not an exact or specific fraction of a second. I want to show the whole timeline, not a slice of it.
By taking 50-100 images of the scene over the course of several hours, I am able to hone in on the important details as they happen. I then put all the pieces back together into a whole whose details build on one another to create a total memory of the space, bypassing the disconnect caused by the camera’s temporal limitations, and allowing me to “do justice” to my memory of the space...
Why I’m in Japan...?
I moved to Japan because I played too much Nintendo as a child...
I quickly realised in university that Japan was not the fantasy land my high school obsession with the culture had hyped it up to be. Fortunately, it was something far less superficial than that, and my interest in the culture gained much deeper roots... living in this country instills me with a feeling that I draw inspiration from...
In Japan, I feel like I exist in a separate, isolated stream to the general public... I am calmed by the feeling of being outside the general bustle that occurs on city streets. I have no yearning for being completely “accepted” and able to integrate into Japanese society.
From this position, I have a clear view of where I stand, and I don’t feel myself lost in a sea of people who are similar to me...
I know that I am alone, which means I know that I am different, which, for better or for worse, is an extremely comforting feeling to someone trying to find their own voice... pieces of themselves...
This isolation parallels Japan’s own cultural history. Self imposted isolation has led them to develop a very nuanced and rich culture which is above all unique. I don’t truly believe that what I do is completely unique, but living in Japan, I can sometimes fool myself into thinking that it is, which allows me to see and feel things I could never dig out of myself sitting at home in Sydney.
|| The Taisho Photographer's House - Hamish Campbell, Artsite Gallery, Sydney
|| Isolation - The Japan Photographs - Hamish Campbell, Artsite Gallery, Sydney
|Group Exhibitions: (Selected)||2015,14,13,12
|Collector's Choice, Artsite Gallery, Sydney, Australia
Swedish Innovations, National Museum of Emerging Science and Innovation (Miraikan), Tokyo, Japan
Drunken Lustre, Artsite Gallery, Sydney, Australia
Heritage Week, Rookwood Cemetery, Sydney, Australia
|Education:||Bachelor of Arts, Majoring in German, Japanese and Linguistics, University of Sydney.
Master of Arts – Cross Cultural Communication, University of Sydney.
|Innovation Sweden Photography Award, Tokyo Japan and Sweden|
|Private Collections:||Australia, U.S.A., and Japan |